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The Compact Bedford Introduction to Literature 12th Edition PDF – eBook

Author: Michael Meyer
SKU: 131910505X

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  • Authors: by Michael Meyer (Author)
  • File Size: 135 MB
  • Format: PDF
  • Paperback: 3890 pages
  • Publisher: Saint Martin’s Press; 12th edition (October 1, 2019)
  • Language: English
  • ISBN-10: 131910505X
  • ISBN-13: 978-1319105051

Download The Compact Bedford Introduction to Literature 12th Edition PDF – eBook

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Description

  • Authors: by Michael Meyer (Author)
  • File Size: 135 MB
  • Format: PDF
  • Paperback: 3890 pages
  • Publisher: Saint Martin’s Press; 12th edition (October 1, 2019)
  • Language: English
  • ISBN-10: 131910505X
  • ISBN-13: 978-1319105051

Download The Compact Bedford Introduction to Literature 12th Edition PDF – eBook

CHAPTERS ON READING AND WRITING
• Introduction: Reading Imaginative Literature page 1
• Chapter 42. Critical Strategies for Reading page 1459
• Chapter 43. Writing about Literature page 1479
• Chapter 44. The Literary Research Paper page 1537
SAMPLE CLOSE READINGS
• Gregory Corso’s “I Am 25” Ch. 17, page 510 Annotated versions of • Kate
Chopin’s “The Story of an Hour” Ch. 1, page. 16
• William Faulkner’s “A Rose for Emily” Ch. 2, page 48
• Susan Glaspell’s Trifles Ch. 35, page 985
• Elizabeth Bishop’s “Manners” Ch. 43, page 1503
• John Donne’s “Death Be Not Proud” Ch. 43, page 1524
QUESTIONS FOR READING AND WRITING
• Writing about an Author in Depth (Poetry) Ch. 26, page 747
• Questions for Writing (Drama) Ch. 39, page 1258
• Arguing about Literature (Strategies for Reading and Writing) Ch. 42, page
1476
• A Revision Checklist (Strategies for Reading and Writing) Ch. 43, page 1495
• Responsive Reading and Writing about Fiction (Strategies for Reading and
Writing) Ch. 43, page 1513
• Responsive Reading and Writing about Poetry (Strategies for Reading and
Writing) Ch. 43, page 1520
• Responsive Reading and Writing about Drama (Strategies for Reading and
Writing) Ch. 43, page 1531
SAMPLE STUDENT PAPERS
Analysis
• Differences in Responses to Kate Chopin’s “The Story of an Hour” Ch. 1,
page 19
• Conflict in the Plot of William Faulkner’s “A Rose for Emily” Ch. 2, page 50
• Layers of Symbol in Cynthia Ozick’s “The Shawl” Ch. 6, page 180

Description
• The Minimalist Style of Raymond Carver’s “Popular Mechanics” Ch. 8, p.
219
• Tossing Metaphors Together in Robert Francis’s “Catch” Ch. 17, p. 514
• Tone in Katharyn Howd Machan’s “Hazel Tells Laverne” Ch. 18, p. 553
• Irony in Edwin Arlington Robinson’s “Richard Cory” Ch. 21, p. 609
• Sound in Emily Dickinson’s “A Bird came down the Walk —” Ch. 22, p. 636
• The Rhythm of Anticipation in Timothy Steele’s “Waiting for the Storm” Ch.
23, p. 661
• The Power of Walt Whitman’s Open Form Poem “I Sing the Body Electric”
Ch. 25, p. 705
• Memory in Elizabeth Bishop’s “Manners” Ch. 43, p. 1504
• John Updike’s “A & P” as a State of Mind Ch. 43, p. 1515
Comparison
• Differences in Responses to Kate Chopin’s “The Story of an Hour” Ch. 1, p.
19
• Imagery in William Blake’s “London” and Mary Robinson’s “London’s
Summer Morning” Ch. 19, p. 581
• The Struggle for Women’s Self-Definition in Henrik Ibsen’s A Doll’s House
and James Joyce’s “Eveline” Ch. 43, p. 1509
Explication
• The Use of Conventional Metaphors for Death in John Donne’s “Death Be
Not Proud” (draft, outline, and final paper) Ch. 43, p. 1525
• A Reading of Emily Dickinson’s “There’s a certain Slant of light” Ch. 43, p.
1498
In-Depth Study of an Author
• Religious Faith in Four Poems by Emily Dickinson Ch. 26, p. 750
Paper Incorporating Critical Approaches
• The Feminist Evidence in Susan Glaspell’s Trifles Ch. 43, p. 1533
• On the Other Side of the Slammed Door in Henrik Ibsen’s A Doll’s House
Ch. 39, p. 1260
Paper-in-Progress
• Explication: The Use of Conventional Metaphors for Death in John Donne’s
“Death Be Not Proud” (draft, outline, and final paper) Ch. 43, p. 1525
Research Paper
• How William Faulkner’s Narrator Cultivates a Rose for Emily Ch. 44, p. 1553

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